Saturday, July 28, 2012
Rock Block
I heard a harp player using this rig on stage recently: A Rock Block guitar pedal/amp and a little Crate cab with an 8-inch Jensen ceramic speaker. The pedal puts out 1 watt of power, so micing it up in the big club was a must.
How did it sound? Like a swarm of angry bees. Inside a metal drum. I'm sure the pedal works very well for what it is intended (guitar distortion) but it was very buzzy and nasal as a harp rig. That little Jensen speaker could not have helped much.
The guy using this rig played well enough, and the crowd seemed to enjoy it. And ya know... That's all that really counts.
Sunday, July 22, 2012
Vintage Magnatone Amp
Al Chesis & Nic Clark in the Colorado Blues Society's International Blues Challenge competition for solo and duo acts. Nic is playing through a vintage Maganatone 415 amp - four 8-inch speakers, about 18 watts, octal preamp, monster tone.
Saturday, July 21, 2012
My Amps
My modest collection of harp amps (as of today, anyway). Clockwise from lower left: 1970 Fender Champ, 6 watts; 1953 Masco ME-18, 20 watts; 1991 Fender Bassman Reissue, 45 watts, Mission Chicago 32-20, 32 watts (in fixed bias mode). I think I have all the bases covered.
The order I acquired the amps is Champ, Masco, Mission, Bassman. Through the years I've had maybe two dozen harp amps, but these are the ones I hung with over time. The first harp amp I paid money for was an Ampeg B-15N flip-top full stack (used, in 1979); the most recent is the Bassman.
I cannot help myself -- All of them have been modified for blues harp except the Mission which is a custom built amp. When I bought that first Ampeg-- and many amps that followed -- I was frustrated by the tone and didn't have the foggiest idea how to improve it. And, I couldn't find anybody else who had a clue either. So I dug in and figured it out myself. The quest for tone can be a cruel mistress, but the payoff is sweet. NOTHING sounds like a good player blowing though a great amp. Y'all know exactly what I mean.
Sunday, July 15, 2012
Harp Mic Project
UPDATES:
I won an eBay auction for a Shure 440SL mic shell, which is probably what this element came out of. So, it will all be period correct, for whatever that is worth.
I've never owned a vintage Shure bullet mic, so when I saw the 440 "Silver Bullet" shell on eBay I decided to go that way. It is already machined and threaded for a Switchcraft 2501MP screw-on connector. I need to see about putting an on/off micro-switch on it somewhere.
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The mic shell arrived. Looks great! The small hole in the bottom is filled with epoxy and there is a grounding lug on the inside of the shell. I've ordered gasket and the 2501MP connector.
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The harp mic project is coming along. Lower left is the gasket to hold the vintage Shure CM element. Next to it is the Switchcraft 2501MP screw-on cable connector. Now I need to decide between a simple on/off switch and a volume control.
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Assembled and tested. Sounds great!
Saturday, July 7, 2012
Friday, July 6, 2012
Pedaltrain Jr. Pedal Board
At the blues jam I host on Sundays at Ziggies in Denver, some schmo dumped a full glass of beer into my pedal board and didn’t bother to tell me about it. When I got up to play the last set my pedals were a sticky mess and the wireless was cutting out.
The pedal board I was using was the Boss BCB-60, a big plastic clamshell case with foam in the bottom. The pedals just sat there marinating in the beer all night. (Yes, I know it was a mistake to leave it there. Lesson learned.)
I had a complaint about the big Boss board: It took up too much stage real estate. So after the beer douche episode I decided to order the Pedaltrain Junior pedal board with the soft case; about $100.
This is better. It is more compact and takes up less space. The soft case is easy to carry and has a pouch for cables and stuff. And any liquid spilled on the pedals will drain off. The Voodoo Lab Pedal Power 2+ power supply mounts up under the board, out of the way.
In the photo above the board is sitting in the open soft case, but on stage I remove it from the case and put it next to my amp. Anybody wanna buy a used Boss BCB-60 pedal board, complete with Roland power supply and patch cables? Smells slightly of beer. Make offer.
Saturday, May 26, 2012
Power Supply for the Kinder AFB+ Pedal
The Kinder Anti-Feedback pedal has become an indispensable tool for many gigging harp players. The only complaint I hear from those who use the pedal is that it does not have a provision for an external power supply, so we are stuck using batteries. This is a pain for several reasons: The pedal does not have a battery level indicator to warn you when it is time for a new set. And when you do change the batteries you need to remove four small Phillips head screws and take the casing apart. Not very convenient if the batteries go out in the middle of a set.
Furthermore, the pedal uses two 9 volt batteries instead of
one. My understanding is that the two
sides of the AFB circuit -- input and
output -- must be absolutely isolated from each other for the anti-feedback
properties to work right. And I think
that is the reason Kinder did not ship it with a power supply, or even include
a plug for a power adapter.
David Brown posted a note on Harp-L about his solution for
this, and I decided immediately I wanted to do it as well. The key is that you need a power supply that
delivers independent streams of isolated, filtered, regulated 9v DC power. The Voodoo Lab Pedal Power 2 Plus is just the
ticket. That is what David used, and I
decided to use it as well since two members of my band use the same power supply and
swear by it. It sells for $169.00. I ordered it from American Musical Supply.
The Pedal Power 2 Plus comes with a variety of cables with
different connections, including one with the battery snap connector. You will need two. You can order one from Voodoo Lab for
$3.50. (If you decide to build your own
cables, REMEMBER: The polarity must be
reversed on the battery snap connectors.)
I used a 6-inch flat file to notch a small slot in the edge
of the lower pedal housing right where the batteries are housed. Then, snap the cable connectors to the
battery connectors in the pedal and reassemble, routing the cables through the
slot. Plug the cables into the power
supply, making sure they are delivering 9v.
Check the DIP switches on the bottom of the Voodoo Lab power supply. They should be switched to NORMAL for the AFB pedal.
That’s it. I don’t
have a lot of hours on this rig yet but it seems to work perfectly so far. The Pedal Power 2 Plus now drives all the
devices on my board: Line 6 Relay G30
digital wireless receiver, Kinder AFB+ pedal, MXR Carbon Copy delay pedal, and
a BBE Sonic Stomp. The first three are
pretty standard gear, but quite a few people ask me about the BBE pedal. I like it because it gives me slightly more
cut without sound shrill or bright. The
effect is subtle.
And now the only device I use that relies on batteries is
the transmitter for the wireless. If I replace the two AA batteries after every
second gig I have no battery issues at all.
Nice!
ADDENDA:
- I used the battery snap cables because I wanted to be able to use the AFB+ with batteries if needed. Just unsnap the cables and insert batteries.
- From an economics view: 9v batteries cost about $3.50 each, depending on where you buy them. So, it's seven bucks to power the AFB pedal. For the cost of the Voodoo Lab power supply you could re-battery the pedal 24 times. If you get every hour of life out the batteries and they last, say, 25 hours of playing time per pair, then $169 could buy you 600 hours of playing time with batteries. But, I am also saving on the 9v batteries for the other 3 devices on my board. It makes economics sense to me, but I admit that it is a rather steep price for a power supply.
- Dan Hazen reports on Harp-L that he has done the same thing using two standard Dunlop power adapters.
UPDATE:
As of December 2012 I've gigged this rig dozens of times and it has worked perfectly.
- I used the battery snap cables because I wanted to be able to use the AFB+ with batteries if needed. Just unsnap the cables and insert batteries.
- From an economics view: 9v batteries cost about $3.50 each, depending on where you buy them. So, it's seven bucks to power the AFB pedal. For the cost of the Voodoo Lab power supply you could re-battery the pedal 24 times. If you get every hour of life out the batteries and they last, say, 25 hours of playing time per pair, then $169 could buy you 600 hours of playing time with batteries. But, I am also saving on the 9v batteries for the other 3 devices on my board. It makes economics sense to me, but I admit that it is a rather steep price for a power supply.
- Dan Hazen reports on Harp-L that he has done the same thing using two standard Dunlop power adapters.
UPDATE:
As of December 2012 I've gigged this rig dozens of times and it has worked perfectly.
For Sale - Original 1958 Bassman Amp
[This amp has been SOLD.]
Wyn Walke has a very nice amp for sale:
"The board hasn't been changed, tape label is Lily-signed, even the power cord is still original. Spkrs also all original, but the 2 left ones' voice coils are open, and need attention. Pretty common from what I understand.
Some crackly noise when amp first comes off standby, but when I plug in to Normal channel, crackly goes away and it sounds great. Bright channel works, but needs some attention. Tweed missing from bottom panel, some tear in the grill cloth. Amp was gigged in its lifetime, 3 small cig burns on top as well as the typical drink ring from having set a beer or soda on top. More pix available upon request. Amp is presently near DC area."
Wyn is asking $6700. Contact me and I'll pass your mail along to him.
Monday, May 21, 2012
The Blues Allstars - Voodoo Child
No harp content, just my band tearing it up with guest HeXx Henderson on steel. It's a Hendrix finale, last set of the night.
Monday, May 7, 2012
Playing my Bassman Amp
At Ziggies Famous Sunday Blues Jam in Denver, playing my modified 1991 Fender Bassman RI amp. The amp tone is about right...
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